Gastric bypass surgery performed by remote control

Sunday, August 21, 2005

A robotic system at Stanford Medical Center was used to perform a laparoscopic gastric bypass surgery successfully with a theoretically similar rate of complications to that seen in standard operations. However, as there were only 10 people in the experimental group (and another 10 in the control group), this is not a statistically significant sample.

If this surgical procedure is as successful in large-scale studies, it may lead the way for the use of robotic surgery in even more delicate procedures, such as heart surgery. Note that this is not a fully automated system, as a human doctor controls the operation via remote control. Laparoscopic gastric bypass surgery is a treatment for obesity.

There were concerns that doctors, in the future, might only be trained in the remote control procedure. Ronald G. Latimer, M.D., of Santa Barbara, CA, warned “The fact that surgeons may have to open the patient or might actually need to revert to standard laparoscopic techniques demands that this basic training be a requirement before a robot is purchased. Robots do malfunction, so a backup system is imperative. We should not be seduced to buy this instrument to train surgeons if they are not able to do the primary operations themselves.”

There are precedents for just such a problem occurring. A previous “new technology”, the electrocardiogram (ECG), has lead to a lack of basic education on the older technology, the stethoscope. As a result, many heart conditions now go undiagnosed, especially in children and others who rarely undergo an ECG procedure.

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Picasso’s painting sold for $95.2 million

Thursday, May 4, 2006Pablo Picasso‘s famous portrait of his lover has been auctioned for $95.2 million at Sotheby’s in New York on Wednesday. 1941 masterpiece “Dora Maar with cat/ Dora Maar au chat” was sold to an anonymous buyer. This is the second highest amount ever paid in an auction. The highest amount paid so far for a painting is $104 million (“Boy with a pipe/Garcon a la pipe” by Picasso, 1905), which was auctioned in 2004. Vincent Van Gogh‘s “Portrait with Dr. Gachet” was sold at $82.5 million.

Dora Maar, herself an artist, believed to have helped Picasso in the execution of the famous masterpiece “Guernica,” which depicted the horror of Spanish civil war. They had a relationship that lasted for a decade.

Picasso was born in Malaga, Spain on 25 October 1881. He died at the age of 92 in 1973.

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Questions About Acting Agent

Submitted by: Chris Johansen

My acting agent in the US has gone a long way in helping me in my acting career. He has been the one person who offered me an insight into the industry and helped open doors for me. As an actor or actress who is just starting out, you need an agent to help you in getting your career off the ground. The agent will help in getting you work and ensure that you are paid accordingly by negotiating your deals. Even when you get a job, the acting agent will always ensure that your career runs smoothly. He will be in charge of scheduling interviews for you with journalists and ensuring that you always have good public relations. An agent will work hard for you because the success of their career is largely dependent on the success of yours.

There are so many acting agencies in America; some are genuine while others are just scams. You therefore need to be very careful when hiring an acting agent. Some of the most important attributes that my acting agent in the U.S should have is honesty, integrity and good work ethics. A good agent will not try to exploit you for their own personal gains. One of the ways that you can tell if an agency is just a scam is by looking at their charges. If an agent starts to ask you to make a lot of payments even before he gets you a job, then most likely this is a scam and not a genuine agency.

[youtube]http://www.youtube.com/watch?v=r7v5zB-jg40[/youtube]

Most of the best acting agencies in the US are the ones that registered with Screen Actors Guild (SAG).These Agents also align themselves with Actors Equity Association. Agencies that are associated with these unions are usually well reputable.

My acting agent in the U.S should be someone that I can easily communicate with. The agent is my link to the other people in the industry so that s why I need to have someone that I can communicate with. It is important for actors and actresses to take their time before signing up with an agent. This should never be a rush decision. You need to meet your potential agent and have a talk with him first. If you have to sign any contracts, go through it very carefully, make enquiries about the clauses that you don t understand.

My acting agent in the U.S should be someone with good negotiation skills. This is because the agent is the one in charge of negotiating contract or his clients. If you get someone who can t negotiate that you are doomed nor to get the best deals. Normally, a good acting agent will only charge you a commission for the jobs that they get you. This commission is usually at most 15% of your total pay for the job. The agent therefore should work hard to get you jobs so that they can get the commission. If your agent is not getting you any jobs and they are charging you for their jobs, then you are better off hiring someone else.

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Elephants Dream: Free content 3D film released to the Internet

Friday, May 19, 2006

The 3D animated short film Elephants Dream, formerly known as Project Orange, was released to the Internet yesterday. The film is available under the Creative Commons Attribution License, allowing anyone to download, modify and distribute it. The 10-minute film has been called “the first open source movie” by NewsForge. Not only is the movie itself free content, even the computer files containing the 3D models used in the film are available under the same terms.

The project was first announced one year ago and was jointly produced by the Blender Foundation and the Netherlands Media Art Institute. The film tells the story of Emo and Proog, two men trapped inside a surreal machine world. Only freely available open source software was used to create the movie. Most of the work was done using Blender, a 3D modelling and rendering tool. The Blender Foundation is selling an extended edition on DVD, which includes subtitles in 34 languages, a Making Of documentary, commentary tracks, and all files used to create the movie.

In spite of the successful completion of the project, the Blender Foundation “has no intention to grow or expand into a company or studio” according to the project website. “Instead, the Foundation aims at endorsing and supporting activities within (educational) institutes, universities and companies.”

 This story has updates See Interview with Ton Roosendaal about Elephants Dream and free content movies, May 21, 2006 
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Pupils fed through gates, school criticised

Friday, September 15, 2006

Schoolchildren at Rawmarsh Comprehensive School in South Yorkshire, England, are being fed fish and chips by their parents through the school gates at lunchtimes because parents do not believe their children are being given enough choice of food at lunchtime.

The parents are standing outside the school gates in a cemetery to take the orders of food from the children, and then go and pick up the food for them. Parents say that this is because the children do not like the quality of food being served in the school cafeteria, and so the parents are only giving the children what they want – which is a hot and tasty lunchtime meal.

Head Teacher John Lambert has lashed back at the parents, calling the delivery of food through the gates immoral and stating that it is not “helping the children or their school” by bringing the junk food in. He also stated that “[The School] aims to provide good quality food which is within government healthy eating guidelines and helps the children’s learning in the afternoon”. Parents have defended the delivery of food by saying that not only are they receiving orders for burgers and chips, but also for salad rolls, jacket potatoes, and other healthy foods.

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Lighting, Horse Arena Lights &Amp; Equestrian Horse Track Light

By Kimberly Quang

RLLD Commercial Lighting recommends using specification grade, metal halide fixtures for horse track lighting and rodeo arena lighting whenever possible. This is because MH lighting fixtures fall into the category of high intensity discharge lights, also known as HID, and produce an exceptionally bright, white light with excellent color rendering. Contractors who use specification grade MH fixtures can expect to have a powerful competitive advantage over other consultants who may not have access to our vendor contracts and are forced by limited resources to fall back on retail grade flood lights and second-rate MH fixtures that do not feature the level of sophistication and long life our products are known for.

Electricians contracted by an equestrian center can often create both a superior aesthetic and generate savings for their clients by using metal pole mount adapters and MH box floods to install new fixtures to existing lighting poles around the arena. Normally this does not require rewiring the existing system, so labor rates are lower and insurance liability is also reduced due to a lower risk of damage to electrical components. Equestrian facility managers may remember how previous contractors were able to install lights that were inexpensive and easy to mount and may not want to invest a large deal of money even if it is in a much needed upgrade. By using our mounting accessories and complimentary design consultation services, contractors can offer a competitive price and still light a rodeo arena or horse track with fixtures that feature the latest designs in internal reflectors that force the light toward the arena without creating glare or spill light in the process Benefits of this level of technology become even more readily apparent in an urban setting where dark sky laws strictly prohibit light pollution in neighboring business and residential areas.

Heavy duty mounting brackets make it easy to install fixtures on 6′ to 12′ wooden poles, allowing fixtures to subsequently pivot for directional aiming. We have a number of recommended wattage intensities designed for lighting poles of different heights, itemized as follows:

250 watt light fixtures are designed for a 20 foot or less mounting height

400 watt fixtures are designed for a 20′ to 30′ foot mounting height

1000 watt fixtures are designed for a 30′ or more mounting height

[youtube]http://www.youtube.com/watch?v=fgp3BO8t9A4[/youtube]

Wooden poles are not always the best poles to use for lighting equestrian facilities or commercial rodeo arenas that are aiming for a more refined and architectural image. In such instances, it is often advisable to substitute steel and fiberglass poles which are more durable and generally better suited to larger horse arenas and tracks.

Such larger equestrian facilities may even want a completely brand new horse track lighting or rodeo arena lighting system. Such facilities may have one or more employees on staff that carries an electrical technician certification, or they may be affiliated through networking channels with a professional lighting design firm. Metal halide fixtures ranging up to 1000W (with standard multi-tap ballast) can be obtained through our network of top-grade manufacturer relationships. Commercial grade steel poles and more decorative and robust wooden pole ranging in heights from 20′ to 40′ can also be ordered through out distribution channels, allowing for eclectic and custom equestrian horse track lighting systems to be designed from the ground up.

In order to fully anticipate the lighting needs of both smaller rodeo arenas and larger equestrian centers, we have created a number of horse arena lighting packages for the convenience of both the professional design firm and the licensed, DIY electrical expert. Commercial grade lighting kits can be purchased in either direct burial or flange mounts for concrete footings. These kits include a number of specific options that are both standard and customizable for a multitude of horse and rodeo arena lighting design requirements.

Round Straight Light Poles

Round Tapered Light Poles

Square Tapered Light Poles

Straight Square Light Poles

20 foot Outdoor Horse Arena Lighting Kits

25 foot Outdoor Horse Arena Lighting Kits

30 foot Outdoor Horse Arena Light Kits

Custom Built Decorative Light Pole Kits

Decorative & Custom made Lighting Pole Kits.

To provide this wide range of application and diversity of configurations, it is necessary to tightly regulate electron flow within the lamps to maximize lamp life and to generate a higher quality of evenly distributed light. This is why all of our equestrian center, horse track, and rodeo lighting fixtures feature multi-tap ballasts ranging from 120V up to 277V.

For this level of sophisticated wiring and lighting design, it is sometimes necessary for experts to confer with other experts, which is why we provide complimentary technical support and lighting design services to clients and serious inquirers.

About the Author: rlldesign.com. For more information about Rodeo and Horse Arena Lighting and other forms of Sports Lighting visit us online.

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Brazilian Vote Buying parliamentary commission present first joint preliminary report

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Monday, September 5, 2005

Brazil —The Post Office and Vote Buying parliamentary commissions of investigation unanimously approved on Thursday (1) their first joint preliminary report of activities. The text was prepared by their redactors, Osmar Serraglio (PMDB) and Ibrahim Abi-Ackel (PP), from Post Office and Vote Buying commissions respectively.

The deputies cited in the report are: Carlos Rodrigues (PLRJ), José Janene (PP-PR), Pedro Correia (PP-PE), Pedro Henry (PP-MS), Sandro Mabel (PL-GO), João Magno (PTMG), João Paulo Cunha (PT-SP), José Borba (PMDB-PR), Josias Gomes da Silva (PT-BA), Paulo Rocha (PT-BA), Professor Luizinho (PT-SP), Romeu Queiroz (PTB-MG), Vadão Gomes (PP-SP), Vanderval Santos (PL-SP), José Mentor (PT-SP), Roberto Brant (PFL-MG), José Dirceu (PT-SP) and Roberto Jefferson (PTB-RJ).

The report indicts 18 Brazilian deputies and the former deputy Valdemar Costa Neto [who resigned on August 1]. They are accused of illegal campaign finance activities, of placing cronies in strategic positions in government enterprises and getting kickbacks from them, and of receiving cash payments in exchange for voting in line with the government in the Brazilian Congress.

The redactors called the allegation made by some parliamentarians that the resources were used to settle debts with electoral campaigns a “lame excuse”. According to them it is “perfectly plausible” that the loans taken by the businessman Marcos Valerio at the Banco Rural and the BMG for the ruling Workers’ Party (PT) were false and created to make the illegal funds seem legal.

In regards to the denunciations done by deputy Roberto Jefferson (PTB) the report says:

  • Everything which he said that could be investigated showed to be true, including confessions against himself .
  • Everything that must be compared to other testimonies showed a great degree of truth. As a matter of fact, all of who, hurriedly, questioned him, saw their defenses collapse, before the successive discoveries.

According to the report, the businessman Marcos Valério is a not reliable person because of his contraditory testmonies.

The report says that several documents were identified and reviewed proving that large sums of money were withdrawn from agencies of the Rural Bank, in Brasilia and Belo Horizonte, as well as from bank accounts of the enterprises SMPB and DNA Propaganda. According to the documents the beneficiaries were federal deputies who received the money in person or through relatives, advisers, or persons nominated by Marcos Valério.

The report affirms that it is possible that some payments were made on a monthly basis, and others more or less frequently. Nevertheless, according to the report the periodicity of the payments is the less important fact.

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Dutch Football Association appoints Ronald Koeman manager of men’s national team

Wednesday, February 7, 2018

Yesterday, the Royal Dutch Football Association (Koninklijke Nederlandse Voetbalbond; KNVB) announced Ronald Koeman as the new manager of the men’s national team. The 54-year-old signed a four-and-half year contract, which is under “immediate effect up to and including the 2022 World Cup” ((nl))Dutch language: ?onmiddellijke ingang tot en met het WK 2022 , KNVB’s official statement read.

Koeman has previously managed nine football clubs, and his most recent spell was in England, where he managed Southampton FC and Everton FC. In 2016–17, he guided Everton to a seventh place finish in the first season in-charge, but was sacked in October.

Featuring in 78 matches for the Dutch national team, Koeman won the Euro 1988. KNVB also appointed 49-year-old Nico-Jan Hoogma as the director. After signing the contract, Koeman tweeted, “I am proud to finally announce that I am the new manager of the Dutch national team. Happy to be here and serve the country in our road to UEFA Euro 2020”.

Netherlands had finished as the runners up at the 2010 FIFA World Cup, and third at the 2014 World Cup under management of Louis van Gaal. But The Oranje failed to qualify for the UEFA Euro 2016 under Danny Blind’s management, and last year, they failed to qualify for this year’s World Cup in Russia. That was their second consecutive failure to qualify for a major tournament.

Koeman, who succeeds Dick Advocaat as the manager of the national team, is to face England in a friendly match to be played on March 23 in the Dutch capital Amsterdam.

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Acting teacher and director Milton Katselas dies at age 75

Tuesday, October 28, 2008

Acting teacher and director Milton Katselas died Friday at age 75, after suffering from heart failure at Cedars-Sinai Medical Center in Los Angeles, California. He began the Beverly Hills Playhouse in 1978 and taught acting classes there to noted actors including George Clooney and Gene Hackman. Katselas is survived by a sister and two brothers.

Katselas directed an off-Broadway production of Edward Albee‘s The Zoo Story, and received a Tony Award nomination for his 1969 direction of Butterflies are Free. Actress Blythe Danner won a Tony Award for her role in Butterflies are Free under Katselas’ direction. He moved to California to direct the film version of that play, and went on to direct films and television movies. Actress Eileen Heckart received an Academy Award for her role in the film version of Butterflies are Free.

Katselas directed the San Francisco and Los Angeles productions of the play P.S. Your Cat Is Dead! by playwright James Kirkwood, Jr. In his author’s notes in the publication of the script, Kirkwood acknowledged Katselas, and wrote that the plays were “directed with incredible energy and enthusiasm by Milton Katselas, to whom I am extremely indebted”.

Katselas directed the television movie Strangers: Story of a Mother and Daughter, and actress Bette Davis received an Emmy Award for her role in the movie. Katselas taught many famous actors including Michelle Pfeiffer, Richard Gere, Robert Duvall, Jack Lemmon, Al Pacino, Goldie Hawn, Christopher Walken, Burt Reynolds, George C. Scott, Elizabeth Taylor, Richard Burton, Alec Baldwin, and Patrick Swayze. Katselas was credited with being able to nurture actors with raw talent so that they could develop strong Hollywood careers. He utilized innovative techniques in his courses – one course called “Terrorist Theatre” had a simple premise: successfully get an acting role within six weeks or leave the course.

He grew up in Pittsburgh, Pennsylvania to parents who had immigrated from Greece, and graduated from Carnegie Mellon. He studied acting with Lee Strasberg in New York at the Actors Studio, and received advice from directors Joshua Logan and Elia Kazan.

Katselas was a prominent Scientologist, and a July 2007 profile on Katselas in The New York Times Magazine observed that some of his students stopped taking courses at the Beverly Hills Playhouse because they felt they had been pressured to join the Church of Scientology. According to the article, Katselas credited Scientology founder L. Ron Hubbard “for much of his success in life”, and one of his students works at Scientology’s Celebrity Centre. The article commented that some in Los Angeles view the Beverly Hills Playhouse as “a recruitment center for Scientology”.

Katselas met L. Ron Hubbard after moving to California, and began studying Scientology in 1965. The New York Times Magazine reported that he had reached the level of “Operating Thetan, Level 5, or O.T. V.” in 2007. According to The New York Times Magazine when Scientologists proceed up the “The Bridge to Total Freedom” they learn the story of Xenu, and that: “75 million years ago the evil alien Xenu solved galactic overpopulation by dumping 13.5 trillion beings in volcanoes on Earth, where they were vaporized, scattering their souls.” A Church of Scientology publication, Source, lists Katselas as reaching O.T. V. in 1989.

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He is brilliant, and knows me so well as a person and an actress that he gets the most out of me.

Though some actors felt pressured to join the Church of Scientology after taking courses at the Beverly Hills Playhouse, at least one individual felt Katselas was not active enough with the organization. Actress Jenna Elfman left the Beverly Hills Playhouse because she felt Katselas was not committed enough to Scientology. Katselas had previously directed Elfman in half of Visions and Lovers: Variations on a Theme, two one-act plays about relationships that he had written himself. In 1999 Katselas had planned to adapt the script of Visions and Lovers to a film version, and Elfman was set to reprise her role from the play. In an article in Variety about the project, Elfman commented on her experience working with Katselas: “He is brilliant, and knows me so well as a person and an actress that he gets the most out of me.”

Other prominent Scientologist actors who have studied under Katselas include Giovanni Ribisi, Jason Lee, and Leah Remini. According to Rolling Stone, Katselas also recruited actress Kelly Preston to Scientology. Actress Nancy Cartwright (the voice of Bart Simpson), told Scientology publication Celebrity that Katselas motivated her to get more active in Scientology, and she stated she took the organization’s “Purification Rundown” and her life “took off completely”.

Life is an endless unspooling of art, of acting, of painting, of architecture. And where did I learn that? From Milton.

Anne Archer was introduced to Scientology while studying at the Beverly Hills Playhouse, as was former Scientologist and now outspoken critic actor Jason Beghe. Beghe told Roger Friedman of FOX News in April 2008 that “He [Katselas] gets kickbacks”, and that he was brought to a Scientology center by fellow Beverly Hills Playhouse classmate Bodhi Elfman, Jenna Elfman’s husband. In a 1998 article for Buzz Magazine, Randye Hoder wrote “In his class, Katselas is careful not to label anything as a tenet of Scientology, but there is no question that the church’s influence seeps into the playhouse.”

Anne Archer’s husband and fellow Scientologist, producer Terry Jastrow, commented to The New York Times Magazine that Katselas changed the way he experiences life on a day-to-day basis: “I go out in the world and look at human behavior now. I see a woman or man interacting with a saleslady, and I see the artistry in it. Life is an endless unspooling of art, of acting, of painting, of architecture. And where did I learn that? From Milton.”

Actor Anthony Head of Buffy the Vampire Slayer spoke highly of Katselas in a 2002 interview with San Francisco Chronicle: “He’s this wonderfully intuitive teacher and his premise is basically: The only real barriers are the ones we put in front of ourselves. If you say, ‘My character wouldn’t do that’ — bollocks! Ultimately it’s you who wouldn’t say that. Who knows what your character might do.” In the acknowledgements of her 2004 autobiography Are You Hungry, Dear?: Life, Laughs, and Lasagna, actress Doris Roberts wrote: “I thank my friend and acting teacher, the incredible Milton Katselas, for his insights, wisdom, and inspiration, which have helped make me the actress that I am.”

I really care about the craft of acting. It’s absolutely necessary to take the time and patience to really develop an actor.

Katselas authored two books: Dreams Into Action: Getting What You Want, first published in 1996 by Dove Books, and Acting Class: Take a Seat, which came out earlier this month. Dreams Into Action, a New York Times Bestseller, sought to modify motivational acting exercises to the field of business.

In an interview in the 2007 book Acting Teachers of America, Katselas commented on his experiences as an acting teacher over the years: “I have very special teachers here at the Beverly Hills Playhouse—some have been with me for over twenty-five years. I believe that to make a difference over the long haul, we need to train teachers. I really care about the craft of acting. It’s absolutely necessary to take the time and patience to really develop an actor.”

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